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Allegory of Music by Filippino Lippi (between 1475 and 1500)
Gemäldegalerie, Berlin. The “Allegory of Music” is a popular theme in painting. Lippi uses symbols popular during the High Renaissance, many of which refer to Greek mythology. original | edit

Allegory
First attested in English in 1382, the word allegory comes from Latin allegoria, the latinisation of the Greek ἀλληγορία (allegoria), “veiled language, figurative,” which in turn comes from both ἄλλος (allos), “another, different” and ἀγορεύω (agoreuo), “to harangue, to speak in the assembly” which originate from ἀγορά (agora), “assembly”.
As a literary device, an allegory in its most general sense is an extended metaphor. Allegory has been used widely throughout the histories of all forms of art, largely because it readily illustrates complex ideas and concepts in ways that are comprehensible to its viewers, readers, or listeners. Allegories are typically used as literary devices or rhetorical devices that convey hidden meanings through symbolic figures, actions, imagery, and/or events, which together create the moral, spiritual, or political meaning the author wishes to convey. One of the best known examples is Plato’s Allegory of the Cave, a part of his larger work The Republic. In this allegory, there are a group of people who have lived chained in a cave all of their lives, facing a blank wall (514a-b). The people watch shadows projected on the wall by things passing in front of a fire behind them and begin to ascribe forms to these shadows, using language to identify their world (514c-515a). According to the allegory, the shadows are as close as the prisoners get to viewing reality, until one of them finds his way into the outside world where he sees the actual objects that produced the shadows. He tries to tell the people in the cave of his discovery, but they do not believe him and vehemently resist his efforts to free them so they can see for themselves (516e-518a). This allegory is, on a basic level, about a philosopher who upon finding greater knowledge outside the cave of human understanding, seeks to share it as is his duty, and the foolishness of those who would ignore him because they think themselves educated enough.

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